Were I in charge of Clinton’s campaign, I’d pull a bunch of TV ads from the outtakes from Shonda Rhimes’s DNC film. And I’d get Hillary out of those damn pantsuits and into comfortable slacks and cotton shirts like she wears here. If she can let go of the formality that those suits evoke from her, and talk to the voters the way she talks with whoever interviewed her for that film, across an imaginary kitchen table, she will win in November. […]
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Michelle Obama chose, with great dignity, to speak about black history, and specifically to highlight one telling, little-known, and rarely mentioned historical fact: That slave labor helped build the White House where she and her family reside today. This was Michelle Obama’s historical moment, searing itself into the national consciousness with the same fire that blazed in Beyoncé’s Super Bowl “Formation” performance. Carefully calibrated for the occasion, surely, but just as potent in its own way. […] The stills and videos of Trump at the podium during his acceptance speech, radiating anger and contempt and self-satisfaction, strike me (and, from the commentaries I’ve read, many others) as downright scary, though I’m sure neither Trump not his supporters feel the same. At the very least, those visuals don’t make him into a babe magnet for suburban soccer moms. […] Cruz’s “snub,” as many have termed it, his refusal to explicitly endorse Trump, left the evening on a decidedly sour note — not least because, as the senator from Texas surely anticipated, it immediately became the major topic of discussion on social media, as well as in the news analyses that followed later that night. […] |
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Getty Images Caught Red-Handed (Again)
It would certainly behoove public-domain image archives, such as the Library of Congress, to demand collectively a forensic inquiry into the inventory of Getty Images and other such aggregators. The Carol Highsmith and Daniel Morel cases, I’ll wager, represent only the tip of Getty Images’ deceptive and illegal traffic in copyright-free images. […]