With its elephant-on-a-Fender-guitar logo, The Republic Party wants to claim its convention as the reincarnation of the Woodstock Festival of August 1969, hoping that some of the energy thereof (and the nostalgia it evokes) will rub off. This despite the fact that Woodstock symbolizes everything that the right wing despised then — not just sex, drugs, rock & roll but gender indeterminacy (all that long hair on men), racial integration, women’s lib, anti-war, anti-capitalism, you name it — and everything the right still despises today. […]
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I am uncomfortable watching an interrogation that is misguided if related to some elusive standard of photojournalism. … Pressing Steve McCurry for explanations when one already knows the reasons he used Photoshop — to create a more saleable, viewable image — evades more serious issues about who controls photography, and when and how to liberate it. […] From where I sit, the most important consequence of this scandal (aside from reminding us that photographers, like most people, will do anything that benefits them, ethics be damned) lies in the fact that the vapid phrase “visual storyteller” has suddenly become highlighted — while acquiring a darker meaning — with the revelation that Magnum photographer Steve McCurry deploys it as a both a rationale and a magic charm that, he seems to think, immunizes him from the charges of bad faith and breach of professional ethics that accrue nowadays to a photojournalist who gets caught doing the same things. […] |
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Election 2016: Image World (8)
The dominant image of the Republican National Convention’s first night — determined by perusing the next day’s coverage — became an array of side-by-side still images and videos of Melanie Trump and Michelle Obama, along with comparative images of the relevant texts of their speeches. This also took the lead in social media.That can’t have pleased the Trump campaign (reportedly, The Donald was furious). […]