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Time Capsule 1972: Collier’s Encyclopedia Yearbook

Conceptual art, happenings, and the snapshot aesthetic met again this year, often with better results than expected. Bernadette Mayer, a New York poet, shot an entire 36-exposure roll of color film every day for a month, had them printed by a drugstore processing concession, and mounted “Memory,” a show which included all 1,116 images in sequence, accompanied by a taped monologue which used the photos as a jumping-off place. […]

Spring Fever: Ends and Odds 2017 (a)

Because the exhibitors at AIPAD’s 2017 Photography Show at Pier 94 had more space, and represented more diversity (including the exhibitors’ ages, and the consequent ages of those whose work they displayed), what they put on view provided a more accurate cross-section of contemporary practice in photography and photo-based art than ever before. […]

Shenzhen Economic Daily Interview, 2007 (a)

I have always imagined my own “average reader” as a reasonably educated and literate member of the general public, broadly interested in cultural issues. Of course I sometimes write specifically for, and am read by, people who work professionally in the arts, and for the audience for contemporary art. But I would not want to have my own writing restricted to that segment of the population, and I don’t think the public discussion of photography should be limited to its function as an art form. […]

Ivanka Trump Tells All

According to Ivanka, the family found Trump’s triumph at the GOP convention “shattering,” and its aftermath incomprehensible. “Of course we encouraged him to enter the race,” she explained. “You don’t argue with an alpha male who has enough on you to ruin your life in a minute when he tells you that he’s going to rule the world.” But they never expected him to succeed in politics. “Nobody knew the American people were so gullible.” […]

Cabin Fever 2017: Bits & Pieces (2)

Donald Trump’s bromance with his puppet master, Vladimir Putin, has made headlines and served as op-ed fodder for much of the past two years. So it seems appropriate to point out Putin’s small but not insignificant place in the history of contemporary photography — specifically, the Krappy Kamera movement. […]