Photography collecting as a field is still at such an early stage in its development that in the late ’70s connoisseurship alone was deemed worthy of extensive media attention and considerable corporate/governmental patronage. Wagstaff’s cunning in getting sponsors to cover the promotional costs of a marketing enterprise clearly contrived to net him a small fortune raised no eyebrows I’m aware of, save my own. […]
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On the evening of Monday, May 8, Douglas I. Sheer, president of the critically acclaimed series Artists Talk On Art, will conduct a virtual interview with me, hosted via Zoom. I invite all readers of this blog to join me for this event, which is free and open to the public. Pre-registration is required, via the link below; then just log in on Monday, shortly before 7 p.m. EST. […] We can’t know how Socrates would respond to our current situation, of course. But as someone who tries to teach in an approximation of what I understand as the Socratic style, I find synchronous online/distance learning anything but impersonal. To the contrary, it’s extremely personal, interactive, and involving. […] In short, if you work on a computer and use the internet you already have and use some applications that will serve to generate the content you need to augment your F2F teaching and begin to teach online. Your first task, then, is to take inventory of the applications with which you already work and the skillsets you already have: your present toolkit for online and distance learning. […] This 1978 lecture, taken in combination with my Y2K prognostications regarding press photography and photojournalism, recently posted here, you have some means of gauging my capacity for futurecasting. […] |
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