When he referred to this painting by Leon Golub, the art critic Robert Hughes wrote, “In the end, there are some tasks that painting can do and photography cannot. No camera is allowed in the basements of power that Golub has made peculiarly his own.” Perhaps he might have asked the artist for more background. […]
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This blog, its parent website (The Nearby Café), and the three other websites that form the consortium Photo Education Online have become a Go Daddy-free zone. With that said, the cause on behalf of which Go Daddy collaborated in the making of and endorsed SOPA — prevention of internet piracy — is one in which I believe. I’ll continue to sail the online seas and hang anyone pirating my IP from the virtual yardarm here. “Arrr” yourself, matey. You’ve been warned. […] This boycott, and the threat of massive further customer migration, led Go Daddy to reverse its stance and officially withdraw its support of SOPA on Dec. 23, effectively apologizing to the internet community for approving it in the first place and promising to endorse revisions of this legislation, or any similar bills, only “when and if the Internet community supports it” — which, knowing the “Internet community” as I do, will happen on the proverbial chilly day in the hot place. […] |
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The Photographer and the Painting (1)
If it’s acceptable (or not) for painters to work from photographs, and to replicate closely or paraphrase broadly the iconography of photos, do photographers get to do (or not do) the same with paintings? And, if they do, why do all the complaints about image appropriation seem to come from the photography side of the spectrum? […]