Follow me on Mastodon:
@adcoleman@hcommons.social
 
 
|
Rereading this encyclopedia entry on the year 1973 in photography at a remove of four decades, I find it pleasantly surprising to see what a diversity of issues I managed to address (even if fleetingly) in the stripped-down style mandated by the encyclopedia’s editorial guidelines. Some of the ideas alluded to here in miniature would ripen into substantial future essays: on the autobiographical mode in photography, censorship in photographym, and the definition and integrity of the body of work. […]
Photonic impaction, the problem with lenses created by the accumulation over time of stray photons, afflicts lens instruments other than cameras. While the problem is well-known among astronomers (related, perhaps, to the still-hypothetical photon belt), it does not occur ― save in rare cases ― in the field of microscopy. Simply put, lenses pointed up appear prone to impaction, while lenses pointed down generally do not. […]
What I took away from Thompson’s book “Six Seconds in Dallas” that nourished my budding inclination to start working as a photography critic was this: Close, patient attention to the particulars of lens-derived images would reward the viewer in unpredictable ways. […]
On November 21 of this year I happened across “November 22, 1963,” a short film by Errol Morris, which features an unlikely interviewee: a Navy Seal turned Kierkegaard scholar turned high-profile private investigator named Josiah “Tink” Thompson. Though I met him only once, almost 46 years ago, I recognized him immediately. […]
If you want to locate the exact time and place at which, by example, the right to privacy of the children of the rich and powerful was surrendered willingly by the trend-setting leader of the free world and his fashionable spouse, you need look no further than “the first hundred days” of the Kennedy Administration. […]
|
SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
Copyright Notice All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
Published by Flying Dragon LLC.
Neither A. D. Coleman nor Flying Dragon LLC are responsible for the content of external Internet sites to which this blog links.
|
Time Capsule 1973: Collier’s Encyclopedia Yearbook
Rereading this encyclopedia entry on the year 1973 in photography at a remove of four decades, I find it pleasantly surprising to see what a diversity of issues I managed to address (even if fleetingly) in the stripped-down style mandated by the encyclopedia’s editorial guidelines. Some of the ideas alluded to here in miniature would ripen into substantial future essays: on the autobiographical mode in photography, censorship in photographym, and the definition and integrity of the body of work. […]