“Palante” sets a high standard for activist photojournalism, and shows the way. It will take courageous, committed photographers to follow Abramson’s lead, but the challenge implicit in its existence is one which we have every right to insist be met from now on. […]
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The dialogue which currently is most bitter but which promises to be most fruitful is that which engages the more specific question of how public monies for the arts should be allocated. Often foolish, dependably acrimonious, the interchange on this subject at least addresses matters more substantive. The hottest area of this debate — hottest, perhaps, because those under fire are those whose job is arguing in public over issues of art — is the Art Critics Fellowship program of the NEA. […] [In the fall of 1995 I received a review copy of the new Diane Arbus monograph, Untitled, just published by Aperture. Planning to review it, I sought answers to several legal and structural questions its production and publication raised. Becoming suspicious when I proved unable to get satisfactory answers — indeed, any answers at all […] In the last analysis, whether working in black & white in the urban social environment or isolating the particulars of a flower or shell insect in their distinctive coloration, Feinstein is still showing us a world filtered through his own inimitable sensibility. Animated by the same spirit, the works of his earlier years and these more recent projects actively enrich and amplify each other. A profound awe in the presence of living things manifests itself in all his pictures. […] Most of us in the West — even Western Europeans — simply have no idea of what it has meant to be Eastern European in this century, for even those who lived there are only now able to acknowledge it. There’s a long period of reeducation ahead for all of us; and the paper trail we’ll have to follow is strewn not only with sheets bearing the written word but with photographs of all kinds, like these. […] |
 SPJ Research Award 2014All content of this publication is © copyright 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017 by A. D. Coleman unless otherwise noted. All materials contained on this site are protected by United States copyright law and may not be reproduced for commercial purposes without prior written permission. All photos copyright by the individual photographers. "Fair use" allows quotation of excerpts of textual material from this site for educational and other noncommercial purposes.
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