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I believe that Minor White’s group show and catalog “Octave of Prayer” is an insidious insult to all photographers, not only to those whose work is included therein but also to anyone trying to sculpt an idea in silver. […]
These artifacts are not intended to engage the discourse of art or creativity on any level whatsoever. No meaningful gauge can be applied to them; since they take no risks by which they could be considered failures, it is impossible for them to succeed. […]
There was an official designation for the entire object (image plus mat plus backing board plus frame) which I held in my hands, and the appropriate nomenclature was right there in big letters on a white label pasted to the back. “WALL ACCESSORY,” it said, just like that, and in a flash I knew that I had found not just a bargain but a metaphor. […]
I rarely find myself returning to a news photograph for its nuances. But Saul Loeb’s image of Donald Trump, Ivanka Trump, and Jared Kushner from a Cabinet Meeting in the Cabinet Room of the White House in Washington, DC, October 16, 2017, proves an exception. […]
One of the book’s most undermining weaknesses and chief disappointments, beyond its lack of foundation in photography’s morphology and hermeneutics, is its scanting of applied exegetics — the consistent refusal to address bodies of work and single images, the primary works in the medium. […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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The Origins of the Wall Accessory (1)
There was an official designation for the entire object (image plus mat plus backing board plus frame) which I held in my hands, and the appropriate nomenclature was right there in big letters on a white label pasted to the back. “WALL ACCESSORY,” it said, just like that, and in a flash I knew that I had found not just a bargain but a metaphor. […]