Even at his worst musically, Dylan has never proven less than instructive. These paintings teach us nothing about Asia, about painting, or about photography as source material for visual artists. They simply tell us that Dylan, in private, has worked hard at learning the craft of painting. That may be of interest to someone who, like me, finds it rewarding to track Dylan’s activities; but it’s not enough to sustain a public show at a high-profile venue. […]
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Bob Dylan: The Painter and the Photograph (5)
I have the greatest respect for Gray as a Dylan scholar. I’ve actually read the print version of his hefty 2006 Bob Dylan Encyclopedia from cover to cover; it’s eccentric but, overall, brilliant. It also contains the following statement, on page 433: “Jazz musicians generally regarded the blues, too, as beneath them, and thereby disqualified themselves from playing any of it well.” This is one of the most deeply ignorant comments about jazz by a renowned writer on popular music that I have read in my entire life. […]