Photography itself was of course a fad, until it wasn’t. Same goes for stereo sound, blue jeans and T-shirts as casual wear, and rock & roll. One function of cultural journalism (and I have that hat, among others, in my wardrobe) involves looking at fads in order to gauge the likelihood of their turning into trends, and from trends evolving into relatively permanent aspects of the cultural landscape. […]
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The steadily shrinking size of all electronic gizmos, with the consequent vulnerability to theft, loss, and misplacement, will lead to subcutaneous implantation thereof in the foreseeable future. The nanotech breakthrough that has enabled the use of living cells — including human cells — as data storage and transmission units certainly places this possibility visibly on the event horizon. […] We’re racing toward a much more immersive, tactile, kinesthetic involvement with computing generally, and with digital imaging specifically. I don’t think it spells the end of still photography. But in a world in which 3D still imagery is rampant, and 3D still-imaging systems readily available, what will people make of 2D still imagery and imaging systems — which, with only a few exceptions, is how the history of photography to date could be described? […] Who was J Dudley Johnston, and why did this Royal Photographic Society award I received get named after him? Pam Roberts described him as “a link between photographers of all countries and all persuasions, a visionary and a man with a passion for research and for dissemination of information.” […] On September 9 I received the J Dudley Johnston Award for Writing about Photography, conferred on me by the Royal Photographic Society (U.K.) at its Annual Awards gala. I take particular pleasure in the fact that this comes as unsolicited peer recognition. . . . […] |
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