I view the term “self-plagiarism” as an oxymoron, and a misnomer. It denotes the commission of an intellectual crime, and indeed a legal one, as well as an ethical breach, where an author most likely has committed none of those offenses. Use of it as a blanket term to paint any and all such repurposing as acts of bad faith that somehow cheat editors, publishers, readers, and one’s fellow professionals only brands the accusers as self-righteous know-nothings while demonstrating a deeply unprofessional failure to research standard practices in the field. […]
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Writers, musicians, visual artists, choreographers, and other “content providers” regularly return to, reconsider, revise, borrow from, and otherwise cannibalize their previous output. No one even marginally literate in the arts can claim unawareness of the copious evidence of this as common practice. So I challenge the concept of “self-plagiarism,” an oxymoron because plagiarism involves taking material you haven’t created and claiming it as your own. You can engage in self-parody, consciously or not; you can repeat yourself, consciously or not; but you can’t plagiarize yourself. […] “Waddling like a cocksure duck,” as one commentator at the Dangerous Minds site put it, Pike with his blithe disregard for the multiple still and video cameras trained on him all but ensured that his actions, and his attitude in performing them, would go viral. What resulted was not only Pike’s transformation into a memetic icon but, much more importantly, an object lesson in the potency of citizen journalism as enabled by the internet. […] |
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Self-Plagiarism: Oxymoron Invasion (3)
Reaching out from beyond the grave, the late Ansel Adams self-plagiarized once more by permitting the trust he created during his lifetime to grant permission for yet another use of his classic image ‘Moonrise over Hernandez.’ Including his posthumous record, Adams has now self-plagiarized this image over 5000 times in various media. […]