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Election 2012: Image World (6)

Tthe Republic Party’s base, which Mitt Romney and Paul Ryan courted so ardently and now represent, is deeply implicated in the sponsorship, funding, production, and initial distribution of “Innocence of Muslims,” and has direct responsibility for the consequent Muslim protests now raging around the world over this short film. Yet, so far as I know, nowhere in the media coverage of all this has anyone addressed these connections. […]

Election 2012: Image World (5)

The propaganda film “Innocence of Muslims” was entirely sponsored and produced by elements of the wingnut anti-Islamist evangelical Christian right in the U.S. By dint of their close association with their base, Mitt Romney and Paul Ryan bear a considerable degree of responsibility for the conflagrations touched off by the film, including the one that took the life of Ambassador Christopher J. Stevens. Time to put them on the hook for that and watch them try to wriggle off. […]

Election 2012: Image World (2)

With Obama’s 2008 campaign, and his election, the Democrats seemed intent on reinventing themselves as vertebrates after decades of spineless surrender of all moral high ground to the Republic Party. About the only remainder of that cowardice this past week was the kissing of God’s ass involved in amending the platform. […]

Election 2012: Image World (1)

Eastwood’s star turn at the RNC conjured up the image of an “imaginary Massa,” an arrogant patrician Southern plantation owner, doddering yet white and gun-wielding, thus empowered to humiliate a grown black man who can’t talk back, in front of a laughing, jeering, cheering crowd of white people who roared with approval when Eastwood announced “We own this country” and “Politicians are employees of ours” before closing with an ominous “Make my day” chanted by the assembly. […]

Dog Day Afternoons: Bits & Pieces (3)

Late last year I gave a talk in London, “Dinosaur Bones: The End (and Ends) of Photo Criticism,” in which, among other things, I bemoaned the fact that the newspaper and magazine industry has begun to replace specialized critics grounded in the visual arts (like me) with “cultural journalists,” generalists with no depth of […]