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Return of the Prodigal

I’ve begun to consider the possibility that my brain does manage to wrap itself around these evolutionary shifts in digital technology without extreme difficulty. Which in turn suggests that perhaps this recurrent process helps to keep my brain active and young (or, more precisely, youth-like) by pushing me to learn new skills, to replace old habits with new or revised ones, and in one way or another to get some exercise for the mind. In short, I’ve begun to weigh the mental-health benefits of living la vida digital, with its steady reconfiguring of my neural pathways. […]

Election 2012: Image World (19)

Sigmund Freud, who visited this country only once, in 1909, famously declared, “America is the most grandiose experiment the world has seen, but, I am afraid, it is not going to be a success.” The jury’s still out on that. But the nation’s first Black president winning a second term despite a collapsed economy isn’t the stuff of dreams. It’s absolutely real; and, to whatever extent photographs still function as evidence today, we have the pictures to prove it. […]

Election 2012: Image World (18)

The film trailer Innocence of Muslims has faded from the headlines. Yet this laughably inept, cut-rate production, bankrolled and otherwise enabled by the evangelical right in the U.S., represents the one set of images that emerged during the election cycle that promises to remain active (even if in a lower-profile way) in the post-election, post-inauguration political environment. […]

Ends and Odds

One reason I value Omar Willey’s assessment of my writing, along with George Slade’s, is that both manifest substantial skills as writers themselves. Also, they both have a long-term involvement with photography that provides a perspective on my project as a critic which I find valuable as feedback, and which differentiates their observations from those of younger judges, no matter how insightful. […]

The Photographer as Citizen (3)

Is it ethical for the Ethics Committee Chair of the NPPA not to support a photographer who, even though not a member, abides by the NPPA’s code of ethics? To put it another way, if as an NPPA member I found myself in Abbasi’s shoes someday, and scrupulously followed the NPPA’s current code of ethics to the letter by “not seeking to alter or influence events,” could I reasonably expect my professional organization to have my back, or should I instead anticipate that its Ethics Committee Chair would stab me in it? […]