Nearby Café Home > Art & Photography > Photocritic International

Get new posts by email:
Follow me on Mastodon: @adcoleman@hcommons.social     Mastodon logo

Alternate History: Robert Capa on D-Day (53b)

This document proves that John Morris was fully aware of, and an active participant in, that SHAEF/MoI censorship system, which fact he conveniently failed to mention in all of his subsequent accounts of the fictional darkroom disaster that supposedly “ruined” Capa’s D-Day films. […]

Alternate History: Robert Capa on D-Day (52b)

In the end, it seems fittingly ironic that the Occam’s-Razor explanation for all of Capa’s missing D-Day negatives turns out to be the scissors of the censor. The legend of the lost negatives resulted from nothing more or less than the needs of Capa’s outsize ego. […]

Guest Post 33: Dennis Low on the Gian Butturini/Martin Parr Controversy (e)

Neumüller’s article falls way short of the ‘profound analysis’ proffered by his editors, or the ‘comprehensive analysis’ or ‘scientific context’ he himself reaches for. In many respects, Neumüller’s failure to deliver a coherent, documented, detailed, and, above all, believable narrative was inevitable from the start. He comes to the task with the wrong skill set. […]

Guest Post 33: Dennis Low on the Gian Butturini/Martin Parr Controversy (d)

Moritz Neumüller’s active suppression, in his article, of the public complaints levied at Halliday … obscures the fact that a deep-seated and long-standing professional jealousy, and a concomitant battle over the psycho-geography of London, lay at the heart of Halliday’s entire campaign against Butturini. […]

Guest Post 33: Dennis Low on the Gian Butturini/Martin Parr Controversy (c)

The Mercedes Baptiste Halliday narrative legitimised Gian Butturini’s detractors, and kept them respectable. On paper, it superficially resembled a clear, ideological position, fuelled by a defiance of racial injustice. In actuality, it was a subterfuge, a mere foil – albeit one cut from noble principles – to hide the pettiest and basest of motives: the green-eyed monster of professional jealousy. […]