This is a problem because an increasing number of [photography] books that come out are, in fact, extended statements. They are intended as unified books and intended to be dealt with as a unit of work. We’ve got to re-educate ourselves within photography to sitting down with that kind of book, and not the “greatest hits” kind of book which used to be the tradition. […]
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@adcoleman@hcommons.social
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If photography books are to become really viable as products, without meaning as “merchandise,” if they’re to be able to be self-sustaining as a produced artifact, they’ve got to go beyond the market in photography. […] One reason I feel free not to let any of this worry me is that I have no affiliations or allegiances within the poetry world, thus no image of myself as a poet of this or that tendency, nothing to maintain in anyone else’s eyes or my own except a level of quality to my output. […] “Octave of Prayer” represents a man, once a respected and vital teacher and philosopher in photography, coming to believe his own legend and making himself into an institution. This auto-deification is a sad and dangerous turn of events. […] |
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Time Capsule 1971: Collier’s Encyclopedia Yearbook
Two small items must be appended to this report. First, a Japanese newspaper announced that the waters near Mount Fuji were so polluted that one could develop photographs therein and get recognizable if fuzzy results. And the Allied Impex Corporation, after its success with this item last Christmas, announced that it was again planning to market its Mick-a-Matic — an Instamatic camera built into a large and colorful Mickey Mouse head — during the holiday season. […]