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One reason I value Omar Willey’s assessment of my writing, along with George Slade’s, is that both manifest substantial skills as writers themselves. Also, they both have a long-term involvement with photography that provides a perspective on my project as a critic which I find valuable as feedback, and which differentiates their observations from those of younger judges, no matter how insightful. […]
At the moment it seems that the attempt to find a permanent home for the remainder of the collection is sincere. One hopes that the success of the auction does not allow greed to start to creep into the thinking of the creditors, or Polaroid’s bankruptcy trustee, John Stoebner. Hopefully they will not be asking for too much in return. There is little chance that another sale of remaining works would generate a fraction of the excitement or prices that this sale did. Not only has the cream of the crop been removed, but as has been shown with numerous second sales of supposedly rare material — like the second de Prangey sale of early daguerreotypes — these sales more often than not fall flat and never live up to expectations. […]
Michael Rosen first published his book Vanilla Sex: Explicit Fine Art Photographs as a free PDF download. Rosen invited me to write the introduction to this project. My essay turned into a meditation not only on his work but on the state of sexually explicit photography in our culture — a subject to which I’ve turned my attention frequently over the decades. That PDF recently passed its 10,000-download mark, which strikes me as remarkable success for a self-published project on such a controversial subject. Now Rosen has published a printed version of the book, via Blurb.com. . . . […]
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SPJ Research Award 2014
Thought for the Day Ignorance is a condition; dumbness is a commitment.
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Ends and Odds
One reason I value Omar Willey’s assessment of my writing, along with George Slade’s, is that both manifest substantial skills as writers themselves. Also, they both have a long-term involvement with photography that provides a perspective on my project as a critic which I find valuable as feedback, and which differentiates their observations from those of younger judges, no matter how insightful. […]