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Michael Martone: “Dark Light” (1974)

These are not cheerful photographs. They are direct, and specific metaphors for what would seem to be a profound and prolonged suffering which encompasses impotence, fear, deprivation, and loss. Their power resides in the preciseness with which they describe not merely what the eye has seen but what their maker has experienced. […]

Straight Outta Stone Ridge: The Moles of Summer

For the first time in over half a century I have (a) my very own resident groundhog but (b) no designated local season prognosticator of the woodchuck persuasion. Hence a dilemma I faced this past February: Who to believe about the advent of spring? […]

The Curious Case of the Arbus Casebook (1)

I can think of no other postmodern-era project that has at once paid such homage to Walter Benjamin while at the same time so thoroughly refuting him — by making a convincing argument that even digitally rendered, mechanically generated facsimiles of mass-produced artifacts can effectively contain and transmit the experience he called “aura.” […]

Straight Outta Stone Ridge: Farewell to NYC

Our new house in Stone Ridge, NY provides a perfect setting for pursuing my current front-burner project, the various permutations of the Capa D-Day investigation, while organizing my papers and other professional materials into a coherent archive for eventual deposit with an appropriate institution. […]

Guest Post 33: Dennis Low on the Gian Butturini/Martin Parr Controversy (e)

Neumüller’s article falls way short of the ‘profound analysis’ proffered by his editors, or the ‘comprehensive analysis’ or ‘scientific context’ he himself reaches for. In many respects, Neumüller’s failure to deliver a coherent, documented, detailed, and, above all, believable narrative was inevitable from the start. He comes to the task with the wrong skill set. […]