After Robert Capa’s death, Cornell Capa took physical possession of his negatives, handling licensing rights for Robert’s photos and writings, including passages from Slightly Out of Focus. This ensured that the string of subsequent Capa books, and books in which Capa’s images appeared — whether or not published directly through Cornell — frequently reiterated the D-Day myth. […]
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By any standards, the touring Robert Capa retrospective launched by Cornell Capa via Magnum in 1960 proved an overwhelming success. The show toured in three sets through 1969, with stops at no fewer than 100 venues across North America and Europe: museums, college and university galleries and student unions, high schools, banks, churches, public libraries, even county fairs. […] The promulgation of a fictionalized version of Robert Capa’s actions on D-Day and the subsequent fate of his Omaha Beach negatives constitute the worm in the apple, the rot at the very core of the foundation myth of the International Center of Photography — the Center’s “original sin,” as it were, the first skeleton in its closet. Known to ICP’s founder, Cornell Capa, Robert’s younger brother, as far back as 1944, the truth got papered over long before ICP was even a gleam in Cornell’s eye. […] Capa’s images show Armored Assault Vehicle 10 in no more than two feet of water, the one ahead of it in even shallower water. Later newsreel images will show them both in different position, further disproving Capa’s claim that Armored Assault Vehicle 10 was severely damaged. I’ll examine those images an upcoming post. […] [Photographer Charles Gatewood died on Thursday, April 28, 2016 in San Francisco. According to his KQED obituary, the hospital attributed his death to “injuries after he fell off his third-story balcony several weeks before.” The New York Times obituary quotes his sister, Betty Gatewood, as saying, “There is no doubt that his death was the […] |
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