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To order copies of any of these books (including out-of-print titles), use the Bookstore link
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Creatures, George Malave (Philadelphia: Xlibris, 2008)
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Prima Facie: Jerry Uelsmann (Beijing: See+ Art Space/Gallery, 2008)
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Circumstantial Evidence: Maggie Taylor (Beijing: See+ Art Space/Gallery, 2008)
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Kenneth Josephson: The First Fifty Years (Chicago: Stephen Daiter Gallery, 2008)
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Saga: The Journey of Arno Rafael Minkkinen (Beijing: See+ Art Space/Gallery, 2008)
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Buddhism in Tibet, Yang Yankang (Beijing: China Publishing Ltd., 2008)
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Vanilla Sex: Explicit Fine Art Photographs, Michael Rosen (San Francisco: Shaynew Press, 2007)
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Helmut Gernsheim: Pioneer of Photo History, edited by Claude Sui (Ostfildern, Germany: Hatje Cantz Publishers, 2007)
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Edward Steichen: Lives in Photography, edited by Todd Brandow and William E. Ewing (New York: W. W. Norton & Co., 2007)
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5 approaches — open shutter — on contemporary photography, edited by Trine Rytter Andersen and Jesper Rasmussen, Danish edition (Aarhus: Galleri Image, 2007)
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5 approaches — open shutter — on contemporary photography, edited by Trine Rytter Andersen and Jesper Rasmussen (Aarhus: Galleri Image, 2007)
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The Cost of Power in China: The Three Gorges Dam and the Yangtze River Valley, Steven Benson (Lake Orion, Michigan: Black Opal Press, 2006)
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Paterson II, George Tice (New York: Quantuck Lane Press, 2006)
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Saga: The Journey of Arno Rafael Minkkinen (San Francisco: Chronicle Books, 2005)
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Eva: Eloge de Ma Fille, Irina Ionesco (Los Angeles: Alice Press, 2005)
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The Face of Forgiveness: Salvation and Redemption, Steven Katzman (New York: powerHouse Books, 2005)
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Sex Machines: Photographs and Interviews, Timothy Archibald (New York: Daniel 13/Process, 2005)
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From The Photographic Oeuvre 1938-2004, Robert Hausser (Heidelberg: Edition Braus, 2005)
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Ozymandias, Thomas Kellner (Cardiff: Ffotogallery, 2003)
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Kiss of Fire, Barbara Nitke (Heidelberg, Germany: Kehrer Verlag, 2003)
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Photo Sex: Fine Art Sexual Photography Comes of Age, edited by David Steinberg (San Francisco: Down There Press, 2003)
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Orgasm XL, Tony Ward
(San Francisco: Last Gasp, 2002)
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Kodachrome 1939-1959: The American Invention of Our World, edited by Els Rijper (New
York: Delano Greenidge Editions, 2002)
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Laurence Demaison
(Arles: Editions Actes Sud, 2002)
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The Faces of Photography: Encounters With 50 Master Photographers of the 20th Century, Tina Ruisinger (Zurich: Edition Stemmle, 2002)
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Bernatzik: South Pacific, Kevin Conru (Milan: 5 Continents Editions, 2002)
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Asia Bondage, Steven Speliotis (Frankfurt: Goliath Books, 2002)
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Night Chicas, Hans Neleman (New York: Graphis, 2002)
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The African Flower: Singing of Angels, Jeanne Moutoussamy-Ashe (New York: Nestlé USA, 2002)
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Dorothea Lange: The Heart and Mind of a Photographer, edited by Pierre Borhan (Boston: Bulfinch Press/Little, Brown, 2002)
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Vernal Equinox: Recent Photograms, Martha Madigan
(New York: Michael Rosenfeld Gallery, 2001)
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Art Bridge: New York - Cologne - New York, edited by Peter Krueger (Tübingen/Berlin: Ernst Wasmuth Verlag, 2001)
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Small Deaths: Photographs, Kate Breakey (Austin: University of Texas Press, 2001)
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The Banquet, Gilles Berquet (San Francisco: Last Gasp, 2000)
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Nerve: The New Nude, edited by Genevieve Field (San Francisco: Chronicle Books, 2000)
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Hank O'Neal: Portraits 1971-2000 (Wilkes-Barre, PA: Sordoni Art Gallery, 2000)
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Leon Levinstein: Obsession, edited by Sam Stourdzé (Paris: Léo Scheer, 2000)
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One Hundred Flowers, Harold Feinstein (Boston: Bulfinch Press/Little, Brown, 2000)
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Screen Tests Portraits Nudes 1964-1996, Gerard Malanga (London: Steidl Publishing, 2000)
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Photography in Boston: 1955-1985, edited by Rachel Rosenfeld Lafo (Lincoln, MA: DeCordova Museum, 2000)
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The Social Scene: The Ralph M. Parsons Foundation
Photography Collection (Los Angeles: Museum of Contemporary Art, 2000)
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William Mortensen: A Revival, edited by Nancy Solomon (Tucson: Center for Creative Photography, 2000)
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Beauty of Darkness, Connie Imboden (New York/London: Custom & Limited Editions, 1999)
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Robert Heinecken: Photographist (Chicago: Museum of Contemporary Art, 1999)
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Intra) uter (us), Connie Imboden (Baltimore: Gomez Gallery, 1998)
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The Art of Enhanced Photography: Beyond the Photographic Image, James Luciana, with Judith
Watts (Rockport, Maine: Rockport Publishers, 1998)
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Overtones: Diptychs and Proportions, Ralph Gibson (Zurich: Edition Stemmle, 1998)
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Obsessions, Tony Ward (Zurich: Edition Stemmle, 1998)
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Naked in Paradise, Michael von Graffenreid (New York: Dewi Lewis Publishing, 1997)
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Exodus from Austria: Emigration of Austrian Photographers 1920-1940, edited by Anna Auer (Vienna: Kunsthalle Wien. 1997)
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Photographs: Twenty-Five Years, Keith Carter (Austin: University of Texas Press, 1997)
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The Sacred Heart: An Atlas of the Body Seen through Invasive Surgery, Max Aguilera-Hellweg
(Boston: Bulfinch Press/Little, Brown, 1997)
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Photographs, Robert Stivers (Santa Fe: Arena Editions, 1997)
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The Last Dream, Brad Cole (Carmel, CA: Lux/Center for Photographic Art, 1997)
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Dawoud Bey: Portraits 1975-1995 (Minneapolis: Walker Art Center, 1995)
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Kunst Werk Körper, Tiziana de Silvestro (Heidelberg: Edition Braus, 1994)
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Radiant Identities, Jock Sturges (New York: Aperture, 1994)
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Catwalk: Fashion Models of Japan, Curtis Knapp (Boston: Tuttle Studio Editions, 1993)
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Photographs: The Body and Beyond, Charles Gatewood (San Francisco: Flash Productions, 1993)
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Photo Synthesis, Jerry Uelsmann (Gainesville: University Press of Florida, 1992)
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Out of Darkness, Connie Imboden (Zurich and Paris: Esther Woerdehoff, 1992)
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Contacts, Boaz Tal (Tel Aviv: XX, 1991)
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Straightening Out the Corners: Portraits of American Bikers and Their Bikes, Philippe Vermès (Boca Raton: Iris Publications, 1990)
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Fruit Tramps, Herman Emmet (Albuquerque: University of New Mexico Press, 1989)
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Photographer's Dialogue, edited by Steven Carothers and Gail Roberts (Boca Raton: SIRS/Boca Raton Museum, 1989)
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Documentia, f.stop Fitzgerald (San Francisco: Last Gasp, 1987)
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Manuel Alvarez Bravo (New York: Aperture, 1987)
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I'm Not Crazy, I Just Lost My Glasses, Lonny Shavelson (Berkeley, CA: De Novo Press, 1986)
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Wall Street, Charles Gatewood (San Francisco: Flash Productions, 1984)
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The Photographs of Lyle Bongé (Highlands, NC: The Jargon Society, 1983)
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The Sound I Saw: The Jazz Photographs of Roy DeCarava (New York: Studio Museum in Harlem, 1982)
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Masks, Krystyna Baker (Lubbock: Texas Tech Press, 1981)
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Harry Callahan: Color 1941-1980 (Providence, Rhode Island: Matrix Publications, 1980)
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Lucien Aigner (New York: ICP Library of Photographers, 1979)
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Land of the Free, Archibald MacLeish (New York: Da Capo Press, 1977)
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Theater of the Mind, Arthur Tress (Dobbs Ferry, NY: Morgan & Morgan, 1976)
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First-Class Portraits, Robert Delford Brown (New York: First National Church of the Exquisite Panic Press Press, 1972)
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The Little People of America 1971, Les Krims (Buffalo: Humpy Press, 1972)
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Portraits from North American Indian Life, Edward S. Curtis (New York: Outerbridge and Dienstfrey/E. P. Dutton, 1972)
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Eight Photographs, Les Krims (New York: Doubleday, 1970)
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